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    老师和学生免费观看电视剧

    • 理论片 
    • 亚瑟·杜彭 林贞恩 
    • A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the gr andiosese fina l music cu e from Shepitko&am p;#39;s You a nd I, Klimov d issolves between a se ries of pe rsonal photo graphs that en compass Lari sa' s entire life , from bi rth to death. T his bri ef symp hony of sorrow anticipates the cathartic re verse-m otion cli max of Klimov' s Come an d See, t hough by pl acing the sc ene first with in Larisa&amp ;#39;s chrono logy, Kl imov seems t o be working against ca tharsis. The pa in is clearly f resh, the wo und still f estering, and Klimo v wants— above all —to capture ho w deep misery& amp;#39;s knife has cut .

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