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2022日韩《日韩在线天堂》蓝光4k在线观看免费观看-高清电影全集-在线影院


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    日韩在线天堂

    • 理论片 
    • 蕾伊·道恩· Ibáñez 珍妮·梅勒 杨茜·巴特勒 罗立群 
    • A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the gran diosese f inal music c ue from Shepitko&# 39;s You and I , Klim ov dissolves betwee n a series of p ersonal phot ographs that encompass La risa' s entire life, from b irth to death . This brie f symphony of sorrow an ticipates the cath artic re verse-motion climax of Klim ov& #39;s Co me and See, though by placing the scene fir st within La risa&# 39;s chron ology, Klimov seems to be working ag ainst c atharsis. The pain is clearly fresh, the w ound sti ll fester ing, and Kli mov wants—above all—to capture how d eep mis ery&# 39;s knife has cu t.

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